I forgot to post this image I did last year as a commission for the writer Deco Farnesi, based on a scene from one of his short stories, titled “Pausa Noturna” (Night Break).
Dias 09, 10 e 11 de maio vou dar um curso de extensão de Design de Personagens na FAMECOS, PUCRS, em Porto Alegre.
Vai ser um curso que vai abordar desde conceitos de design e Gestalt, até direitos autorais, passando por noções de anatomia, gesto, tipos de linhas e esboço.
Indico para quem tem interesse na área e quer se aprimorar e também para quem está iniciando, um curso para todos os níveis.
Para fazer a inscrição e saber mais, cliquem na imagem do post ou acessem http://educon.pucrs.br/cursos/design-de-personagens/
Se tiverem alguma dúvida podem entrar em contato comigo.
Here is a new work I did.
This is Iemanjá/Yemoja, one of the main orishas of the afro-brazilian and yoruba religions. I wanted to show a different version of her, inspired by the shapes and powers of the sea. I did this image for the wonderful “Contos de Òrun Àiyé”, a comic book project by Hugo Canuto. More details about it here (portuguese only).
I did a good research, learning some important aspects of her: she is a mother, queen of the sea, sometimes called and depicted as a mermaid. Symbols: the waning moon, starfish, waves, pearls.
I ended up with the mermaid version, since in my opinion it was more primal and symbolic and had a good balance between power and beauty with a unique shape and silhouette.
The final design is made to enhance the mother characteristics: big belly and breasts, the body paint of the womb (she gave birth to almost all deities). You can see my exploration and final design of the fan/mirror.
And here is a little making of.
Here is an art for the upcoming game “Potira”. It takes place in the Amazon and follows a female indian called Potira.
The Mapinguari is a folklore creature that inhabits the Amazon jungle. Some say it is a huge one eyed ape with dark fur that eats people. Others, that it is a reminiscent of the Giant Sloth, which coexisted with indigenous people in the past. I chose the latter to make good character and similar to a tuxaua (leader), that would aid you on your quest.
This is my take on Oxalá / Oxalufã / Obatalá, one of the main deities of the Candomblé and Umbanda brazilian religions.
I have always been fascinated by the intricacies of the great Orixá pantheon, with so many unique characters.
I decided to start studying and getting deeper into the legends, beliefs and rich stories to portray each Orixá / Orisha.
Oxalá / Obatalá is one of the oldest and most powerful orixás, being responsible for the birth of human beings and the creation of the world. Its color is white and it carries a wooden scepter called opaxorô, which it can use to divide the world in two, if needed.
I went for a more african design, since the original beliefs came from the yoruba people of Africa. The crown is based on the nigerian yoruba crown, or ade / adenla. I decided to make the beads longer to represent power and mystery.
Designs for an amphibian race I am creating, the Dalgol, for my Grey Days project.